Photography Archives - Page 2 of 3

Monster Children – The Gates of Hell

October 18, 2019 By lsanchez

“Rumour has it, this entrance leads to seven layers of interconnecting tunnels (the seven layers of hell) and that somewhere within them, is a room where you come face to face with Lucifer himself.

“The ‘Gates of Hell,’ is a series of water runoffs and underground tunnels located in Clifton, about an hour outside of downtown Manhattan.

“We passed several dry, smaller openings and eventually we came to a larger room with three tunnels, one of which smells a bit and is marked comedically, ‘…not the gate to hell…'” — Kealan Shilling, Monster Children, May 25, 2016

“Internal Inferno,” Issue Three of Teeth Magazine (UK)

July 24, 2018 By Professor Elizabeth Coggeshall

“These awe-inspiring photographers, writers, stylists, artists, musicians and models manifest an electric, celestial world that uncovers today’s limitless counterculture with forthright and subversive depictions of sex, style, anatomy, nature, religion, and contemporary connections. Each uninhibited story in this issue takes you on an unconventional, intercontinental journey that will tease you, please you and possibly leave you searching for water in a desperate bid to quench the flames.” — Teeth Magazine

Weegee : King of the Nighttime Streets

September 28, 2017 By Professor Arielle Saiber

Weegee (Ascher Fellig, 1899-1968), a New York City photographer, “was the Dante of New York’s nighttime demimonde. His photos, of swells and speakeasies, crime and crowds, or perps and play, are a singular record of New York City in the 1930s and ’40s.” -David Gonzalez, The New York Times, September 28, 2017

Fiona Hall’s Divine Comedy Polaroids (1988)

January 19, 2016 By Professor Elizabeth Coggeshall

Inferno-V-Lustful-Fiona-Hall-Polaroid-Photograph — Artist : Fiona Hall (Australia, b.1953)
Title : Inferno, canto V: The circle of the lustful (1988)
Medium Description: Polaroid photograph

“This photograph from the late 1980s is from a series of twelve Polaroid photographs relating directly to Dante’s Divine Comedy. Each work is a carefully constructed scene illustrating a particular canto. Technically the artist has made the most of the cumbersome 20 x 40 inch Polaroid camera, using it to render exquisite detail and to capture subtle colour. She cuts and moulds aluminium soft-drink cans to form menacing vegetation, human figures, creatures from beyond the grave, on the journey through Hell and Purgatory to Paradise. Hall photographs them amongst found objects set against backgrounds which she has painted.” —Art Gallery of New South Wales website

View the whole collection of photographs at the Art Galley of New South Wales site.

“EverAfter” Photographs by Claudia Rogge (2011)

October 20, 2011 By Professor Arielle Saiber

“…Le opere in esposizione sono liberamente ispirate alla Divina Commedia di Dante Alighieri, presentano i segni della pittura rinascimentale e manierista o i tableaux vivants messi in scena da Pier Paolo Pasolini in alcuni suoi lavori. L’Inferno, il Purgatorio e il Paradiso sono l’elemento di riferimento per l’elaborazione di domande sul confine ancestralmente labile tra bene e male; vizi e passioni sono le cifre di un sentire umano in continuo cammino verso direzioni confliggenti ed interdipendenti. La nudita’ e il bell’aspetto dei soggetti raffigurati rappresentano una sorta di perfezione terrena formale, limitata e necessariamente proiettata verso una dimensione diversa, piu’ completa, mentale e interiore; la folla alza le braccia al cielo per osannare, supplicare o maledire, a seconda del girone.” [. . .] —La Citta’ di Salerno, October 17, 2011

See Also: Galleria Verrengia, October 21 – December 3, 2011, Salerno, Italy.

Contributed by Davida Gavioli

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