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Citings & Sightings of Dante's Works in Contemporary Culture

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Dante Songs (October 2021)

November 3, 2021 By Hannah Raisner, FSU '25

screenshot-of-album-cover

The 9:46 long composition by Darko Domitrović is made up of three songs. The first is “Inferno,” followed by “Purgatorio,” ending with “Paradiso.” Martina Zadro sings Dante’s poetry while accompanied by Domitrović on piano.

Find the recording on your favorite streaming service here, or listen on YouTube.

The complete score is available for free download here.

Contributed by Darko Domitrović

Categories: Music, Performing Arts
Tagged with: 2021, Croatia, Inferno, Music, Paradiso, Piano, Purgatorio, Slovenia, Vocal

Cole Porter, “You’re The Top” (2009)

March 16, 2021 By Laura Chatellier, FSU '23

 

“you’re a rose/ you’re Inferno’s Dante/ you’re the nose/ on the great Durante”    –Cole Porter, Youtube, 2009.

Categories: Music, Performing Arts
Tagged with: 2009, Artists, Dante, Music, Musicians, Piano, YouTube

Adam Zgol’s Purgatorio Score

April 24, 2020 By Professor Elizabeth Coggeshall

“Dante’s Purgatorio Through Music” showcases a piano composition by Adam Zgol (DeMatha High School ’21, Hyattsville, MD), created as an assignment for DeMatha ethics and theology instructor Homer Twigg’s unit on Purgatorio. The composition was presented at the Academic Symposium at Catholic University (Washington, D.C.) in Spring 2020.

The whole composition is available to listen to on Soundcloud.

We thank Adam Zgol and Homer Twigg for their permission to share these files.

Categories: Music
Tagged with: 2020, High School, Hyattsville, Maryland, Music, Pedagogy, Piano, Purgatorio, Purgatory, Washington D.C.

Franz Liszt, “Dante Sonata”

February 19, 2020 By Professor Elizabeth Coggeshall

“Franz Liszt’s Dante Sonata, also known as the Fantasia Quasi Sonata, is a sonata written for piano solo (different than Liszt’s Dante Symphony). Written as program music during the Romantic period, there are nine different motifs used throughout the piece, representing the nine different levels of Hell. In addition, within the nine motifs, Liszt created two major themes or ideas, one in major and one in minor. The minor is said to represent the dark nature of Hell, and the major is said to represent Beatrice and Heaven.” –Contributor Ian Peiris

Listen to Mikhail Pletnev’s recording of the piece on YouTube (last accessed February 19, 2020). See also the previous post for Liszt’s Dante Symphony here.

Contributed by Ian Peiris (The Bolles School ’22)

Categories: Music
Tagged with: Beatrice, Classical Music, Heaven, Hell, Music, Piano

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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