“Polish poet and filmmaker Lech Majewski is hard-pressed to follow The Mill and the Cross, his stirring 2011 recreation of Pieter Bruegel’s painting The Way to Calvary set in occupied Flanders of the 16th century, with an equally spell-binding subject. In Field of Dogs he exchanges the previous film’s broad historical and theological canvas for a less compelling tale of intimate personal suffering in the aftermath of a car accident. But admirers of erudite films will be comforted to find that Dante’s Divine Comedy provides the guiding thread through a gossamer narrative, one that fights a steep uphill battle to interest the viewer in the protagonist’s pain and redemption.”    –Deborah Young, “Field of Dogs: Filmart Review,” The Hollywood Reporter, March 27, 2014