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Citings & Sightings of Dante's Works in Contemporary Culture

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Lines & Faces by Robert Woods and Alan Bern (2021)

October 14, 2021 By Professor Elizabeth Coggeshall

inferno-five-whirlwind-lustful-broadside-alan-bern-robert-woods

“Lines & Faces, the collaboration of artist/printer Robert Woods and writer/translator Alan Bern, is engaged in a project based on Dante’s Commedia: illustrated broadsides available to view at linesandfaces.com/divine-comedy. In these broadsides we attempt to capture and respond to central moments within Dante’s canti. As a poet and translator, Alan enjoys responding to Robert’s images in both our Dante work and in other projects (also available on our website, linesandfaces.com). At other times Robert responds to Alan’s words. We also work on parallel tracks and combine our work successfully. All three modes function very well after almost fifty years of producing broadsides together.

“In working to capture these Dante moments, we operate in a mode similar to that of haiku writers and haiga artists. Robert and Alan decide together on small sections of Dante and respond to them: Alan translates them into poetry (the middle panels), and then he creates a modern association to his work (the third panels). Robert creates a graphic work that illuminates the chosen moment,and he pulls all the elements together with his broadside design.”    –Alan Bern, in private email communication

View the broadsides here. Pictured above is their collaborative depiction of Inferno 5.

In addition to their illustrations and translations from the Commedia we invite Dante Today readers to check out Bern’s translation of Dante’s sestina Al poco giorno e al gran cerchio d’ombra with an accompanying image from Woods.

Contributed by Alan Bern

Categories: Visual Art & Architecture, Written Word
Tagged with: 2021, California, Illustrations, Paolo and Francesca, Poetry, Printmaking, Prints, San Francisco, Translations, United States

Jim Shaw, Donald and Melania Trump descending the escalator into the 9th circle of hell reserved for traitors frozen in a sea of ice (2020)

March 19, 2021 By Professor Elizabeth Coggeshall

Jim Shaw’s silkscreen print Donald and Melania Trump descending the escalator into the 9th circle of hell reserved for traitors frozen in a sea of ice (2020) depicts the former US President and First Lady passing into the ninth circle, populated by members of the Trump inner circle: John Bolton, Michael Cohen, Omarosa Manigault, Anthony Scaramucci, Jeff Sessions, and others. The lake of Cocytus appears to have been displaced to the ground floor of a dilapidated American shopping mall.

Simon Lee Gallery describes Shaw’s collected works thus: “The practice of American artist Jim Shaw (b. 1952, Midland, Michigan) spans a wide range of artistic media and visual imagery. Since the 1970s, Shaw has mined the detritus of American culture, finding inspiration for his artworks in comic books, pulp novels, rock albums, protest posters, thrift store paintings – his ever-growing collection of found artworks has been the subject of its own exhibition on several occasions – and advertisements. At the same time, Shaw has consistently turned to his own life and, in particular, his unconscious, as a source of artistic creativity. Providing a blend of the personal, the commonplace and the uncanny, Shaw’s works frequently place in dialogue images of friends and family members with world events, pop culture and alternate realities. Often unfolding in long-term, narrative cycles, the works contains systems of cross-references and repetitions, which rework similar symbols and motifs, allowing a story-like thread to be perceived.”   –“Biography,” Simon Lee Gallery

See a discussion of Shaw’s exhibit Hope Against Hope, hosted by the Simon Lee Gallery (London) from October 20, 2020, to January 16, 2021, in The Art Newspaper.

Contributed by Deborah Parker (University of Virginia)

Categories: Visual Art & Architecture
Tagged with: 2020, American Politics, Cocytus, Commentary, Donald Trump, Gustave Doré, Ice, Ninth Circle, Political Leaders, Presidents, Printing, Prints, Shopping, United States

Krittika Ramanujan, Dante Prints

December 12, 2015 By Professor Arielle Saiber

krittika
Musicians on the Beach: Purgatory

My work uses prints, drawings, paintings and short films to look at the human conditions of loss, suffering, exile, death, memory, and the past. Art for me is a way to explore questions that cannot be answered. Questions like “what is death? Is human nature good or evil? Why is there such suffering? what is fate?”

A work of art should contain more than one idea. For instance, the beauty of colour in an image may draw a viewer in, while the horrible subject pushes them away. A horrible image may be initially taken as something beautiful. An event in real life, and the depiction of such an event in art are quite different. These are two separate realms of experience. It is up to each viewer to experience it for themselves, or not. It is not the artist’s business to tell them what to think, or what response to have.

I have three ongoing bodies of work. One is inspired by Dante’s Divine Comedy. The second is on mammal skeletons, both modern and prehistoric. The third is about human rights, mainly the issue of lynching.

Each print seems to me like a page torn from a novel, in which the viewer can imagine what came before and after. Drawing is a way of thinking, discovering and feeling, so these works are primarily drawing based.  –Artist Statement, Krittika Ramanujan

 

Categories: Visual Art & Architecture
Tagged with: 1997, Albuquerque, Illustrations, New Mexico, Prints

Rachelle Meyer, The Divine Comedy (2014)

April 7, 2014 By Professor Elizabeth Coggeshall

zoom of meyerdante-lithograph

“Every Litograph design emerges from the text of a book. [. . .] This 24 x 36 inch print includes the full text of Inferno from the Henry Wadsworth Longfellow translation of The Divine Comedy. The 18 x 24 inch print includes approximately the first three quarters of Inferno.”    —Litographs

Categories: Consumer Goods, Visual Art & Architecture
Tagged with: 2014, Illustrations, Inferno, Prints

Jacob Landau, “The Holocaust Suite and Dante’s Inferno”

December 9, 2012 By Professor Arielle Saiber

jacob-landau-the-holocaust-suite-and-dantes-inferno

“My work has been obsessed by the figure… not only an object, but also and principally as a symbol expressive of our common predicament, of the beauty and horror of existence…. I am interested in art as advocacy of the human, as revelation of the tragic, as hope of transcendence.”    –Jacob Landau, Kean Galleries

On loan from the Jacob Landau Collection at Monmouth University

See also “Art Transcends Consciousness at the Human Rights Institute” (Kean Xchange)

Categories: Image Mosaic, Visual Art & Architecture
Tagged with: 2012, Holocaust, New Jersey, Prints, Union

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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