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Citings & Sightings of Dante's Works in Contemporary Culture

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“The Fractal Consciousness of Dante’s Divine Comedy”, Essay by Mark Vernon (2021)

April 11, 2022 By Harrison Betz, FSU '25

mark_vernon_essay_screenshot

“Dante Alighieri was early in recognizing that our age has a problem. He was the first writer to use the word moderno, in Italian, and the difficulty he spotted with the modern mind is its limited capacity to relate to the whole of reality, particularly the spiritual aspects. This might sound surprising, given that his masterpiece, the Divine Comedy, is often described as one of the most brilliant creations of the medieval imagination. It is taken to be a genius expression of a discarded worldview, not the modern one, from an era in which everything was taken to be connected to the supreme reality called God. But Dante was born in a time of troubling transition. He realized that this cosmic vision was being challenged, and he didn’t seek to reject it or restore it, but to remake it.

“This brings us to the heart of why Dante still matters today. He stresses ways of knowing about life based on experiencing and undergoing, as opposed to studying or inspecting. They bring an understanding that isn’t about accumulating information and sorting data but trusting feeling and following insights.

“The vision is tremendous and simple and is a gloriously articulated reflection on everyday human consciousness. We are aware and can be aware of being aware. And this is Dante’s message for now: in a way, all we have to do to rediscover the essence of our intelligence, and the capacity to relate to the whole of reality – particularly in its spiritual aspects – is turn towards our felt experience, and examine what we find. There is presence and freedom, intention and imagination, truth in stories and transformations of time. To grow in this sense is to get better at being alive.”[. . .]    –Mark Vernon, Aeon, July 20, 2021 (retrieved April 11, 2022)

Read the full text of psychotherapist and writer Mark Vernon’s essay here.

See our other post relating to Mark Vernon and his work here.

Categories: Written Word
Tagged with: 2021, Essays, Magazines, Philosophy, Psychology, Spirituality

Higher Self Yoga: Consciousness in the Divine Comedy

December 30, 2021 By Sephora Affa, FSU '24

spiritual-painting-of-two-dante-characters-floating-in-front-of-large-yellow-circle-with-many-faces

“[. . .] As an example, consider this scene at the bottom of the mountain of Purgatory.  These souls have figured out how to get out of hell and have crossed the river to this mountainous island. The journey up the mountain (toward increasing freedom from destructive patterns and closer to higher consciousness) waits for them.

“What do they do?  They turn away from the mountain, hang out on the shoreline, and stare out at the water waiting for entertainers to arrive:  TV channel surfing, 14th Century style.  Fortunately, Dante himself is being guided to start to climb the mountain because there is much more waiting for him if he ascends. He does so, and at the very top he meets Beatrice, his Higher Self, who then guides him into higher states of consciousness in paradise.” [. . .]    –Dr. Richard Schaub Ph.D., Higher Self Yoga, July 8, 2020

Categories: Written Word
Tagged with: Beatrice, Circles of Hell, Cosmos, Energy, Guides, Heaven, Journeys, Mountains, Neuroscience, Paradiso, Psychology, Self-Help, Spirituality, Suffering, Transformation, Wisdom, Yoga

Junji Ito’s Horror Manga Uzumaki (1998-1999)

October 31, 2021 By Harrison Betz, FSU '25

uzumaki-horror-manga-panel“Uzumaki is the story of Kirie Goshima, a young girl living in a coastal town that is slowly falling into the grip of a ‘spiral curse.’ The townsfolk, to varying degrees, become obsessed and subsequently infected by spirals.

“Ito-san’s spirals operate with similar symbolic significance to the circles of hell, namely, they are partly allegorical, as well as literal, of the spirals and endless cycles of human behavior…as in Dante’s hell all things become literal, he is physically twisted to reflect his psychological reality. Each person in Uzumaki is trapped in their own sin.

“Junji Ito understands, as Dante did, that even positive emotions like love have a place in hell when they are taken to extremes. Like a spiral itself, the story circles whilst drawing ever closer to a central point…like Dante, Junji Ito doesn’t flinch from showing us the full expanse and architecture of the hell he has created, and we see the very “nadir” or low-point of the spiral, and what that represents.” [. . .]    –Joseph Sale, The English Cantos, April 8, 2020 (retrieved October 27, 2021)

Categories: Visual Art & Architecture, Written Word
Tagged with: 1998, 1999, Circles of Hell, Comics, Emotions, Graphic Novels, Horror, Japan, Manga, Psychology, Spiral, Visual Art

“Dante’s Inferno-Identity Politics in Morality”

December 3, 2020 By Jasmine George, FSU '24

“As a quick rundown of the circles of hell, from least bad to worst, there’s: Limbo, Lust, Gluttony, Greed, Wrath, Heresy, Violence, Fraud, and finally Treachery. Now what’s particularly interesting here is that, according to Dante, it would seem to be worse to be a flatterer or a corrupt politician than a murderer. Misrepresenting your stances about people or politics is bad bad bad in Dante’s book.

“More interesting still is the inner-most circle: Treachery. Treachery seems to represent a particular kind of fraud: one in which the victim is expected to have some special relationship to the perpetrator. For instance, family members betraying each other seems to be worse than strangers doing similar harms. In general, kin are expected to behave more altruistically towards each other, owing in no small part to the fact that they share genes in common with one another. Helping one’s kin, in the evolutionary-sense of things, is quite literally like helping (part of) yourself. So if kin are expected to trade off their own welfare for family members at a higher rate than they would for strangers, but instead display the opposite tendency, this makes kin-directed immoral acts appear particularly heinous.”   –Jesse Marczyk Ph. D., Psychology Today, 2014

Read the full article here.

Categories: Written Word
Tagged with: 2014, Circles of Hell, Hell, Morality, Politics, Psychology

“How Dante and Virgil Can Guide Recovery From Mental Illness”

December 3, 2020 By Jasmine George, FSU '24

“In the epic poem ‘The Inferno,’ written by Dante Aligheri in the 14th century, the author journeys through ‘hell’ and is escorted by the great poet Virgil. Virgil is from the otherworld and can walk with Dante as a fellow traveller and let him experience the catastrophic existential restructuring to foundationally change a life, and, eventually, show him a way back to the world. This relationship model is not a treatment program or an informed guess but rather guidance based on a shared suffering.

“What is different in a Dante/Virgil relationship is that the roles are interchangeable. On some journeys of the self, you may be Dante or you may be Virgil, depending on your experience and the issue. Your suffering has utility.”   –Eric Arauz, Psychiatry and Behavioral Health Learning Network, 2014

Read the full article here.

Categories: Written Word
Tagged with: 2014, Mental Health, Mental Illness, Psychiatry, Psychology, Virgil

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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