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Citings & Sightings of Dante's Works in Contemporary Culture

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Dominique Zinkpè, multimedia drawings (2013)

April 28, 2022 By Sephora Affa, FSU '24

ink-watercolor-body-falling-out-of-open-body

“The ideas behind the Divine Comedy have brought the artist to reflect upon a millenary question: what is the soul? This question entails an inquiry about uncertainty and wandering. The artist uses the medium of installation to create a unique world, made up of thousands of tiny figurines suspended as if they were souls waiting for a visa to enter another world or destination. Positioned on the ground, these retrospective objects are installed in such a way as to suggest their interrelation, their secret bond, as if they were suspended souls. The idea behind Errance is to create an emotion, a feeling of anticipation and reflection with the public. The twelve thousand colored figurines are suspended from the ceiling and are reflected in the thousands of mirrors placed on the floor, referring- also thanks to a soundtrack- to the infinity of the universe, the tackling lights and moving elements that are unknown to us but which we admire and dream about even though we do not know where they come from.”

Retrieved from The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

Learn more about the artist Dominique Zinkpè (b. 1969, Cotonou, Benin) on Wikipedia.

Categories: Visual Art & Architecture
Tagged with: Africa, Benin, Contemporary Poetry, Cotonou, Drawings, Mirrors, Multimedia, Reflections, Series, Visual Arts, Watercolors

“Riflessioni semiserie da dantedì ovvero la lezione di Beatrice”, Antonella Valoroso (2021)

April 11, 2022 By Harrison Betz, FSU '25

antonella_valoroso_article_painting“Mentre tramonta il sole sul dantedì2021, in quella che per Dante è ‘’l’ora che volge il disìo’, mi viene in mente che, nonostante il mio ininterrotto amore per il divino poeta, non ho mai provato a pensare a Dante in una prospettiva femminista. Ed ecco che TRE riflessioni si accavallano e si intrecciano l’una all’altra, proprio come i versi delle terzine della Commedia.

“Riflessione numero uno, ispirata dalle illustrazioni dell’Inferno di Gustave Doré. Riflessione numero due, ispirata dal dipinto ‘Francesca di Rimini nell’inferno dantesco’ di Nicola Monti, recentemente acquisito dalla Galleria degli Uffizi. Riflessione numero tre, ispirata dai versi 7-12 del XVII canto del Paradiso.

“Buon dantedì (e e ogni altro giorno) a tutte le donne e a tutti gli uomini che non hanno paura di dare voce propri pensieri e al proprio disìo!” [. . .]    –Antonella Valoroso, Corriere, March 27, 2021 (retrieved April 11, 2022)

To read Valoroso’s full reflections, visit the full article here.

Categories: Written Word
Tagged with: 2021, 700th anniversary, Articles, Beatrice, Dantedì, Feminism, Italy, Paolo and Francesca, Paradiso, Reflections

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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