Contributed by Robert Jones (Louisiana State University, Alexandria ’19)
posted on May 6, 2021 by
Bust of Dante, Northwestern State University of Louisiana (Natchitoches, LA)
posted on May 1, 2021 by
“Dante is remembered most for his depiction of hell. This sculptor wants us to remember heaven, too.”
“VATICAN CITY (RNS) — In preparation for the 700 anniversary of the death of medieval poet Dante Alighieri, a Canadian artist is creating a sculptural tribute to his ‘Divine Comedy’ that would be the first sculptural rendition of the entire poem.
“‘In our culture Dante is becoming lost,’ said sculptor Timothy Schmalz in an interview with Religion News Service on Monday (July 20).
“Not only is Dante less and less required reading, Schmalz said, but his ‘Divine Comedy’ is often misrepresented by putting the focus only on the first part — the descriptions of hell and its fiery punishments.
“The Italian poet captivated generations by telling his imaginary journey through hell, purgatory and heaven. His use of popular Italian dialect in his writing, instead of the more high-brow Latin, earned him a title as the ‘Father of the Italian Language.’
“’Because I am a Christian sculptor I will right this wrong,’ Schmalz said. ‘I will do what has never been done before in the history of sculpture, which is to create a sculpture for each canto of the ”Divine Comedy.”” –Claire Giangravé, America, 2020
Read the full article here.
posted on March 4, 2021 by
Heidi Wastweet’s Dante Medal (2006)
Dante Inventing Beatrice 10″ x 13″ Cast Bronze Limited Edition of 20
“I challenge this romantic notion of love. I see this Beatrice we know as an invention of Dante’s imagination. Here Dante, near death, is remembering the young beautiful Beatrice as he conjured her, never even having had an intimate conversation or ever having touched her. Did he regret having constrained himself by other peoples’ standards? Or did it bring him peace to keep her safely, purely, in his head? Did she know? Did she love him back? As he lay dying he imagines she is on the other side waiting to greet him. His isolated hand reaches out longingly but touches her only on the very pages that he wrote.” —Heidi Wastweet
Heidi Wastweet is a leading American Medallist and sculptor working in the San Francisco Bay area. In conjunction with a wide variety of private mints she has produced over 1000 coins, medals, and tokens since 1987. […]”.
—American Medallic Sculpture Association
Contributed by Ying Zheng
posted on September 24, 2020 by
“Catholic Sculptor Re-Creating Dante’s Divine Comedy Aims to Shift the Emphasis off Hell”
“In preparation for the 700th anniversary of the death of medieval poet Dante Alighieri, a Canadian artist is creating a sculptural tribute to his Divine Comedy that would be the first sculptural rendition of the entire poem.
‘In our culture Dante is becoming lost,’ said sculptor Timothy Schmalz in an interview with Religion News Service on Monday (July 20).
Not only is Dante less and less required reading, Schmalz said, but his Divine Comedy is often misrepresented by putting the focus only on the first part — the descriptions of hell and its fiery punishments.
[. . .]
There are 100 cantos in the poem, which have previously been represented in etchings and drawings by the likes of Sandro Botticelli, Gustave Doré and William Blake, but Schmalz would be the first to represent the full poem through sculpture.
‘I realized why it hasn’t been done before,’ he said. ‘It’s so much work.'” –Claire Giangravé, Religion News Service, July 21, 2020
posted on September 14, 2020 by
Dante. The Vision of Art Exhibition
“The Uffizi is providing Dante-centric artworks for the major exhibition Dante. The Vision of Art held in Forlì from March 12 to July 4, 2021.
The show is part of the nationwide celebrations for the 700th anniversary of the death of Dante Alighieri, but also aims to symbolize the rebirth of Italy and the art world.
The project is based on an idea by Eike Schmidt, director of the Gallerie degli Uffizi, and Gianfranco Brunelli, director of major exhibitions of the Fondazione Cassa dei Risparmi di Forlì, while Professors Antonio Paolucci and Professor Fernando Mazzocca are the show curators. The decision to hold the exhibition in Forlì is part of an overall strategy to promote the area that acts as a natural bridge between Tuscany and Emilia-Romagna. Dante sought refuge in Forlì in the Autumn of 1302 after leaving Arezzo. The poet stayed with the city’s noble ruling family, the Ordelaffi, for more than a year.
Several works will be loaned to Forlì by the Uffizi, including Andrea del Castagno’s portraits of Dante and Farinata degli Uberti, which are not usually not public view in Florence, given their placement in the San Pier Scheraggio church, which is where the council met on which Dante once served. A second Dante portrait, by Cristofano dell’Altissimo, will be displayed in the Forlì exhibition. Pontormo’s Exile from Paradise and a Michelangelo’s drawing depicting a doomed man in Divine Comedy’s Inferno, in addition to a selection of fine sketches by Federico Zuccari for the 500th illustrated edition of the text. Other highlights include a marble bust of Virgil by the eighteenth-century sculptor Carlo Albacini, and the nineteenth-century canvas by Tuscan proto-romantic Nicola Monti, titled Francesca da Rimini in the Inferno.” –Editorial Staff, The Florentine, July 10, 2020
posted on September 4, 2020 by
Inferno.Etude – Vartan
“… Vartan, a queer former Orthodox Jew from Chechnya whose sculptures and paintings mostly explore demonic and sexual themes. ‘My work always shows a state of human spirit,’ he tells The Creators Project. ‘Demons and angels, pain and uncontrollable desire, fear and loneliness. The naked body in sculpture represents a spiritual condition. I am not interested in ‘politically correct’ art because it’s boring. Shock, controversy, and honesty. These are the three principles of my art.'” –Anya Tchoupakov, Vice, November 19, 2015
Shown at left is Vartan’s sculpture Inferno.Etude.
posted on May 11, 2020 by
Dante 700 by Timothy Schmalz
“In September 2019, Timothy Schmalz’s ‘Angels Unawares,’ a life-size bronze sculpture commemorating the 105th World Day of Migrants and Refugees, was installed in St. Peter’s Square in Rome. Pope Francis celebrated a special Mass for the occasion.
Timothy is currently working on a new project to honor the 700th anniversary of Dante Alighieri in 2021. ‘I believe Dante is one of the greatest writers of all time. So, I thought I would do what has never been done before. I think this is an amazing opportunity to celebrate not only Dante, but Italian and European culture.’ He plans to sculpt each of Dante’s 300 cantos. The ‘Dante 700’ sculpture project will memorialize this significant anniversary with sculptures of each of the 100 cantos in the Divine Comedy. Very few artists ever represent more than the Inferno in their paintings and sculptures. This is a rare project that will show individual sculptures of all the cantos, including Purgatory and Paradise.
The project will include the cantos and a principal sculpture of Dante. Installed together and cast in bronze, the work will be dynamically represented in order to inspire people to actually read Dante. This sculpture project will also be used to create a new illustrated book of Dante in collaboration with a new translation, which will be finished for the anniversary year in 2021.” —La Gazzetta Italiana, April 2020
posted on February 5, 2020 by
In Dante Veritas, Vasily Klyukin
“In Dante Veritas is a large scale, immersive multimedia exhibition by Russian sculptor Vasily Klyukin. It represents a narrative that recreates the nine circles of hell, and includes over 100 multimedia elements, such as sculpture, installation, digital art, audio and light boxes. The exhibitions includes sculptural works, most of which represent negative human traits such as Anger, Gluttony and Betrayal.
“The most prominent sculptural pieces are the Four Horsemen of the Modern Apocalypse. The artist has translated the traditional Horsemen (plague, war, hunger and death) into a modern day version: Overpopulation, Misinformation, Extermination and Pollution.
[. . .]
“The immersive exhibition encourages visitors to examine the sculptures with an audio guide narrated in the style of Dante’s poems. The sculptures of human sins also portray the punishment that comes with the sin. For instance, Gluttony is incredibly obese and Temptation has no limbs.
“The exhibition also includes a ‘prison’ room, further embodying the topic of sin. Famous criminals such as Stalin, Pablo Escobar and Bokassa are imprisoned here. The prison has a dungeon room – Betrayal – which represents Hell. Visitors are encouraged to leave notes on the wall, allowing them to name people who have betrayed them, or to write a message of forgiveness.
“The exhibition ends on a positive note. The Heart of Hope is a large sculpture of a heart at the centre of the exhibition, which was also displayed at the Burning Man festival in 2017. It symbolises the ability to stop all the negative traits and sins. Visitors are given a bracelet which transmits a signal to the statue, which then beats in the rhythm of the bracelet wearer’s heartbeat.” —Elucid Magazine
posted on January 26, 2019 by
Fritz Koenig, “Paolo und Francesca” (1958)
Among German sculptor Fritz Koenig’s oeuvre one finds a number of works that take inspiration from Dante, particularly mediated through Rodin’s sculpture groups in his Gates of Hell. Below, “Paolo und Francesca” from 1958.
Photo credit Heinz Theuerkauf (Flickr)
Koenig’s work was celebrated with a retrospective at the Gallerie degli Uffizi in 2018.
Contributed by Jessica Beasley (Florida State University, 2018)
posted on November 28, 2018 by
An American Werewolf In London (1981)
In John Landis’ 1981 cult classic An American Werewolf In London, at 65:30 you can see a bust of Dante Alighieri in the Doctor’s study.
You can watch the full movie on Amazon Prime, Youtube, Google Play, Vudu, and on iTunes.
