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Citings & Sightings of Dante's Works in Contemporary Culture

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Sylvain Reynard, Gabriel’s Inferno (2012)

July 26, 2021 By Professor Elizabeth Coggeshall

“Enigmatic and sexy, Professor Gabriel Emerson is a well-respected Dante specialist by day, but by night he devotes himself to an uninhibited life of pleasure. He uses his notorious good looks and sophisticated charm to gratify his every whim, but is secretly tortured by his dark past and consumed by the profound belief that he is beyond all hope of redemption.

“When the sweet and innocent Julia Mitchell enrolls as his graduate student, his attraction and mysterious connection to her not only jeopardizes his career, but sends him on a journey in which his past and his present collide.

“An intriguing and sinful exploration of seduction, forbidden love, and redemption, Gabriel’s Inferno is a captivating and wildly passionate tale of one man’s escape from his own personal hell as he tries to earn the impossible—forgiveness and love.”   —Penguin Random House

The 2012 novel, set in Toronto, was adapted into a three-part series of films starring Giulio Berruti and Melanie Zanetti and directed by Tosca Musk. It was produced and released by Musk’s company Passionflix in 2020. The image above comes from the Amazon Prime Video page for the film. Gabriel’s Rapture (Part Two) and Gabriel’s Redemption (Part Three) are scheduled for release in 2021 and 2022, respectively.

Contributed by Margaret Goodspeed

Categories: Performing Arts, Written Word
Tagged with: 2012, 2020, Beatrice, Campus, Canada, Colleges, Erotica, Films, Hell, Inferno, Love, Novels, Romance, Sex, Students, Teaching, Toronto, Universities

Guy Raffa on Dante and Same-Sex Love

January 23, 2016 By Professor Elizabeth Coggeshall

In a response to Rod Dreher’s 2015 book How Dante Can Save Your Life, Guy Raffa (creator of the Danteworlds website) discusses the question of same-sex love in the Comedy:

Raffa-on-Dreher-Dante-Same-Sex-Love-Pop-Matters“In his otherwise fine explication and application of the Divine Comedy, Dreher badly misunderstood—or just plain missed—Dante’s view of same-sex love. […]

“The point can’t be made often or forcefully enough: getting Dante straight means getting him gay, as well. When it comes to the sex or gender of the people we love best, Dante doesn’t give a fig. This is something that Dreher and other serious readers of Dante ought to know.” — Guy Raffa, “What Rod Dreher Ought to Know about Dante and Same-Sex Love,” Pop Matters

Categories: Written Word
Tagged with: 2016, Gender, Homosexuality, LGBTQ, Love, Lust, Reviews, Sex

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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