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Citings & Sightings of Dante's Works in Contemporary Culture

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Sante Matteo, “Escape from Paradise,” Twelve Writers

January 9, 2022 By Professor Elizabeth Coggeshall

“Before Beatrice fled from Florence to Venice and beyond in my story, she migrated from the classroom to the written page, then set sail and found a welcome dock at Twelve Winters Journal.

“A course I taught on the Divine Comedy drew students with a wide spectrum of academic interests. I encouraged them to undertake a term project related to their field of studies, as long as it included an account of their research and how their secondary sources contributed to the creation of their final product (a bit like this commentary). Art students handed in paintings and sculptures; music students composed, performed, and recorded musical pieces; writing majors wrote poetry and stories; theater majors wrote and staged plays; film students scripted, shot, and showed movies; philosophy majors wrote Platonic dialogues. My office became a museum of intriguing works of art.

“Beatrice often figured in the students’ projects, which gave me the idea for a piece that showed how things might have looked through her eyes. After I retired and began to dabble in ‘creative writing,’ I emulated my students and took on the project of drafting a story presented from her perspective. [. . .]” –Sante Matteo, “Commentary on ‘Escape from Paradise’,” Twelve Winters

Read Sante Matteo’s story “Escape from Paradise” at Twelve Winters‘ website here.

See also Sante Matteo’s poem “Assignation” (here) and his essay on Dante and baseball (here).

Contributed by Sante Matteo

Categories: Written Word
Tagged with: 2021, Academia, Beatrice, Creative Writing, Fiction, Ohio, Oxford (Ohio), Paradise, Pedagogy, Short Stories, Student Projects, United States, Universities

Jorge Luis Borges, “Paradiso, XXXI, 108” in Dreamtigers

November 23, 2020 By Laura Chatellier, FSU '23

jorge-luis-borges-paradiso-xxxi“Beside a road there is a stone face and an inscription that says, ‘The True Portrait of the Holy Face of the God of Jaen.’ If we truly knew what it was like, the key to the parables would be ours and we would know whether the son of the carpenter was also the Son of God.

“Paul saw it as a light that struck him to the ground; John, as the sun when it shines in all its strength; Teresa de Jesus saw it many times, bathed in tranquil light, yet she was never sure of the color of His eyes.

“We lost those features, as one may lose a magic number made up of the usual ciphers, as one loses an image in a kaleidoscope, forever. We may see them and know them not. The profile of a Jew in the subway is perhaps the profile of Christ; perhaps the hands that give us our change at a ticket window duplicate the ones some soldier nailed one day to the cross.

Perhaps a feature of the crucified face lurks in every mirror; perhaps the face died, was erased, so that God may be all of us.” [. . .]    –Jorge Luis Borges, The Floating Library, September 15, 2008.

Categories: Written Word
Tagged with: 1960, Argentina, Books, Literature, Poets, Short Stories

Jorge Luis Borges, “Inferno, I, 32” in Dreamtigers

November 23, 2020 By Laura Chatellier, FSU '23

jorge-luis-borges-inferno-i-32-2020“From the twilight of day till the twilight of evening, a leopard, in the last years of the thirteenth century, would see some wooden planks, some vertical iron bars, men and women who changed, a wall and perhaps a stone gutter filled with dry leaves. He did not know, could not know, that he longed for love and cruelty and the hot pleasure of tearing things to pieces and the wind carrying the scent of a deer, but something suffocated and rebelled within him and God spoke to him in a dream: ‘You live and will die in this prison so that a man I know of may see you a certain number of times and not forget you and place your figure and symbol in a poem which has its precise place in the scheme of the universe. You suffer captivity, but you will have given a word to the poem.’ God, in the dream, illumined the animal’s brutishness and the animal understood these reasons and accepted his destiny, but, when he awoke, there was in him only an obscure resignation, a valorous ignorance, for the machinery of the world is much too complex for the simplicity of a beast.

“Years later, Dante was dying in Ravenna, as unjustified and as lonely as any other man. In a dream, God declared to him the secret purpose of his life and work; Dante, in wonderment, knew at last who and what he was and blessed the bitterness of his life. Tradition relates that, upon waking, he felt that he had received and lost an infinite thing, something that he would not be able to recuperate or even glimpse, for the machinery of the world is much too complex for the simplicity of men.” [. . .]    — Jorge Luis Borges, The Floating Library, July 28, 2008.

Categories: Written Word
Tagged with: 1960, Argentina, Books, Literature, Poets, Short Stories

Will Brewbaker on Shane McCrae’s “Sometimes I Never Suffered”

November 6, 2020 By Laura Chatellier, FSU '23

sometimes-i-never-suffered-2020

“This act of holding together both heaven and earth pervades Shane McCrae’s Sometimes I Never Suffered, the prolific poet’s latest collection. Racial injustice, economic inequality, simple human cruelty — McCrae addresses all of these subjects, these facts of the world, head-on — while, like Dante, transposing the literal into the otherworldly.  [. . .]

“The final two poems in Sometimes I Never Suffered return explicitly to Dantean territory. Famously, the last word in each section of Dante’s Comedy is the Italian word ‘stelle,’ meaning ‘stars.’ In a sly parallel, McCrae makes this Limber’s last word, too. After describing meeting one of those souls who were ‘babies when they died […] [who] walk around in sailor hats with blank / Looks on their faces’ — another ingenious creation — Limber says:

… when I tried to talk to
Him it was like I wasn’t there
So    I peeked    in his mouth

and in his mouth was the whole sky and stars

“Not only does this final line offer a remarkably coherent cosmic scope, but it also serves as a segue into the book’s last movement — a multipage poem that returns to the hastily assembled angel’s story and finds the angel first building, then climbing the ladder to heaven.” [. . .]    —Will Brewbaker, Los Angeles Review of Books, October 13, 2020.

Read more of Brewbaker’s reviews here.

Categories: Written Word
Tagged with: 2020, Books, Dante, Divine Comedy, Literature, Poetry, Reviews, Short Stories, United States

“What Happens When a Writer Hates the Heroine of Her New Book?” Excerpt from Nisha Susan’s The Women Who Forgot to Invent Facebook and Other Stories

October 4, 2020 By lsanchez

“In her second week at the library, she was choked. Somewhere in this building, she had been told, is an actual manuscript of the Divine Comedy. Dante Alighieri had not sat around in the 1300s writing coy shit. Somewhere near here, Arun Kolatkar had written Jejuri and the Kala Ghoda poems. Somewhere near here, Kolatkar had died. Where in her writing was the blood, the grime, the puking on the streets and the deep stuff?”    –Nisha Susan, excerpt from The Women Who Forgot to Invent Facebook and Other Stories, Huffington Post, August 10, 2020

Categories: Written Word
Tagged with: 2020, Authors, Books, Fiction, Humor, India, Libraries, Mumbai, Short Stories, Writing

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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