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Citings & Sightings of Dante's Works in Contemporary Culture

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Aïda Muluneh, The 99 Series (2014)

April 22, 2022 By Sephora Affa, FSU '24

photo-of-selam-painted-white-face-painted-red-hands-around-neck

“…I painted her body white because for me, living in this city we call Addis Ababa, we don’t need to fantasize about going to the Inferno—I have seen and experienced enough things to really make me question humanity. I have realized that in order to get ahead here, many people wear masks in order to protect their future. But while doing this, the reality is that I have seen the various atrocities and the great lengths that many will go to in order to maintain their success. So with that in mind, for me the red hands symbolize the guilt associated with the thirst for upward mobility. The cloth wrapped around Salem’s body is specifically from the southern region of Ethiopia, which has endured several centuries of oppression, slavery, and so forth. For the background color, I chose the off-grey because it reminds me of dirty snow; this reminds me of my childhood growing up in Canada, in the midst of the bitter cold, and also the challenges that I faced being an African immigrant in an all-white community.”

Retrieved from The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

For more information on The 99 Series, visit Muluneh’s website here.

Categories: Visual Art & Architecture
Tagged with: Addis Ababa, Africa, Art Books, Canada, Ethiopia, Guilt, Immigration, Inferno, Models, Oppression, Photography, Slavery

Why Dante’s Inferno Stays Relevant After 700 Years

July 11, 2019 By Gabriel Siwady '19

“The 14th-century Italian poet Dante Alighieri couldn’t have foreseen contemporary forms of hideous, malicious behavior—the Holocaust, the trans-Atlantic slave trade, genocide committed by ISIS.

“Yet, Dante’s nearly 700-year-old, three-part epic poem, the Divine Comedy—of which Inferno is the initial part—remains an influential piece of literature in exploring the origins of evil.

“Dante’s work has influenced or inspired music, novels, films, mobile apps, and even video games. Medieval manuscript illuminators and artists, including Sandro Botticelli and Salvador Dalí, have produced paintings mirroring stories Dante told. Most recently, Dante’s work was adapted for the crime and mystery film Inferno, starring Tom Hanks.

“When you have an actor like Tom Hanks starring in a movie adapted from best-selling novelist Dan Brown, you’re bound to get more questions about Dante than usual,” says Fabian Alfie, a professor in the University of Arizona department of French and Italian.

“But interest in Dante has never waned in the 700 years since he died,” Alfie says. “There is an unbroken tradition of Dante’s influence in Western culture since the 14th century. Dante has never stopped being popular because his poem deals with questions that are always relevant.”

“Ultimately, Alfie says, Dante was attempting to address the “big questions” associated with being: “What is evil? What is human nature? What is redemption, goodness, sanctity?” […]   –Monica Everett-Haynes, University of Arizona, Futurity, November 17, 2016

Categories: Consumer Goods, Music, Performing Arts, Visual Art & Architecture
Tagged with: 2016, Crime, Dan Brown, Hell, Holocaust, Inferno, ISIS, Novel, Sins, Slavery

Guy Raffa, “Longfellow’s Great Liberators: Abraham Lincoln and Dante Alighieri” (2016)

January 23, 2017 By Professor Arielle Saiber

Henry_Wadsworth_Longfellow_by_Thomas_Buchanan_Read_IMG_4414-1-640x472

 

[…]

“Living with Dante’s vision of the afterlife also gave Longfellow some perspective on the war. On May 8, 1862, soon after translating Paradiso, he reflected, ‘Of the civil war I say only this. It is not a revolution, but a Catalinian conspiracy. It is Slavery against Freedom; the north against the southern pestilence.’ The reality of this moral disease hit home when he visited a local jeweler’s shop. There he saw ‘a slave’s collar of iron, with an iron tongue as large as a spoon, to go into the mouth.’  ‘Every drop of blood in me quivered,’ he wrote, ‘the world forgets what Slavery really is!’ ”

[ …]

Guy Raffa, Not Even Past, January 18, 2016

Categories: Written Word
Tagged with: 2016, American Politics, Civil War, Lincoln, Longfellow, Slavery

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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