Posted to Instagram by La Repubblica and L’Espresso Settimanale illustrator Mauro Biani (@maurobia) on Dantedì (March 25) 2021. The image was also shared on La Repubblica.
Contributed by Carmelo Galati (Temple University)
posted on March 27, 2021 by
Uffizi Galleries’ TikTok video featuring Dante and Virgil
“This TikTok video by the Uffizi Galleries uses works by Emilio Demi and Carlo Albacini and the song ‘Gotta Go My Own Way’ from Disney’s hit 2007 movie High School Musical 2. It plays on the moment Virgil leaves Dante in Purgatorio.” –Contributor Kate McKee
The TikTok video was posted on Dantedì (March 25) 2021 in honor of the 700th anniversary of Dante’s death.
Contributed by Kate McKee (Bowdoin College ’22)
posted on January 31, 2021 by
Kat Mustatea, Voidopolis (2020)
@kmustatea on Instagram (January 30, 2021)
“Voidopolis is a digital performance about loss and memory that is currently unfolding over 45 posts on my Instagram feed (@kmustatea). Started July 1, 2020, it is a loose retelling of Dante’s Inferno, informed by the grim experience of wandering through NYC during a pandemic. Instead of the poet Virgil, my guide is a caustic hobo named Nikita.” –Kat Mustatea
Featuring a Dantesque cast of characters ranging from the Virgilian Nikita to a mohawked Minos, a gruff ferryman named Kim and a withdrawn George Perec, Mustatea’s Voidopolis weaves through the pandemic-deserted streets of Manhattan, a posthuman landscape of absence and loss, bearing witness to its vanishings. Voidopolis won the 2020 Arts & Letters “Unclassifiable” Prize for Literature, and received a Literature grant from the Cafe Royal Cultural Foundation.
To read more about both the process of the piece and its influences, including Dante, see the interview with Mustatea featured in Dovetail Magazine (2020).
posted on January 14, 2021 by
Twitter is the 45th Circle of Hell
“Unknown to Dante, there is a 45th circle of Hell known as ‘Twitter.’ It used to take 140 steps to get there, but after the expansion of residents it is now 280 paces to reach your destination. To be sure, calling this beloved social media network the 45th level of Hell is quite an accusation, and I must support it with evidence. Well, these days I should at least try to support it with evidence. Come to think of it, who needs evidence when I have Twitter? Alas, I will do my best to use logic. This will make one time in a row.” [. . .] — Ian Winer, Medium, August 2, 2019.
posted on January 8, 2021 by
“Dante Alighieri racconta la politica”
See the whole “Dante Alighieri racconta la politica” Facebook page here (last accessed January 13, 2021).
posted on September 4, 2020 by
“Dante’s Inferno has always been so funny to me…”
“Dante’s Inferno has always been so funny to me because its this really important classic that is constantly referenced, but at the same time it’s really just a burn book. Dante Alighieri is Regina George and he wrote an entire book about a bunch of people he hates and why he hates them. Dante took out his pink gel pen and wrote out in big cursive letters: Achilles is a slut.” —aphrodarling on tumblr (April 24, 2019)
Regina George is the antagonist of the 2004 film Mean Girls.
Contributed by Kate McKee (Bowdoin College ’22)
posted on May 29, 2020 by
@Dante_Alighieri Twitter Profile
“Twitter profile dedicated to Dante Alighieri (@Dante_Aligheri) managed by Matteo Maselli, which periodically publishes original material related to the Italian poet: reports of Dantean cultural events, open-access educational material, breaking news. The profile was opened to make available to Dantisti and scholars in general an open space for free consultation and exchange of ideas.” — Contributor Matteo Maselli
Contributed by Matteo Maselli (Alma Mater Studiorum – Università di Bologna, 2017)
posted on March 25, 2020 by
#stoacasacondante, Flashmob in honor of Dantedì 2020
The Società Dante Alighieri promoted a flashmob on the first annual celebration of Dantedì (25 March 2020), while Italy and much of the world was under shelter-in-place orders due to the spread of COVID-19. Below, the message from the President of the Società Dante Alighieri, Andrea Riccardi:
“mentre il coronavirus ci tiene separati dai luoghi e dalle persone che amiamo, l’Amore e Dante ci uniscono. La Società Dante Alighieri invita tutti ad aprire le finestre delle proprie case, a leggere due terzine del V Canto dell’Inferno (Divina Commedia), a registrare le letture con gli smartphone e a condividere i video nei social network con hashtag #stoacasacondante e #Dantedì.
“Ecco il testo da leggere: «Amor, ch’al cor gentil ratto s’apprende, prese costui de la bella persona che mi fu tolta; e ‘l modo ancor m’offende. Amor, ch’a nullo amato amar perdona, mi prese del costui piacer sì forte, che, come vedi, ancor non m’abbandona».” —ladante.it
For news coverage, click here.
posted on September 13, 2019 by
“La Divina Commedia trova nuova vita nei cinguettii di Twitter”
“La copertina sfondata, le pagine squarciate. Du-rante la Seconda Guer-ra Mondiale una copia della Divina Commedia frenò un proiettile vagante, evitando lamorte al proprietario che la custodiva in tasca. «È la provache Dante può salvarti la vi-ta», scherza Pablo Maurette,raccontando l’episodio. Questo 38enne argentino, professore di letteratura comparataa Chicago, è il protagonista di una rivoluzione culturale checorre su Twitter: la lettura, partecipata, del capolavoro di Dante ai tempi dei social.
“La formula è semplice: un canto al giorno, per centogiorni. Si legge, ognuno per conto proprio, poi si inizia a twittare per commentare leterzine e cercare spunti di analisi: i cinguettii si trasformano in note a piè di pagina. Il risultato? Un successo planetario. Dal Messico al Cile, dalla Francia all’Australia, migliaia di utenti di lingua spagnola (una bolgia, verrebbe da dire) hanno lasciato ogni speranza per unirsi al viaggio 3.0 guidato da Virgilio.” [. . .] –Filippo Femia, La Stampa, February 2, 2018.
You can read the full article on La Stampa.
See other posts related to #Dante2018 here.
Contributed by Pablo Maurette (Florida State University)
