“Marcus Berkmann: Circles of Hell”

“‘No, that’s definitely the way you want to go,’ said the same man in the hi-vis jacket, whose integrity we were beginning to doubt. But every route we tried, the satnav eventually led us back to the same roundabout, often by the most circuitous of routes. We had no mobile coverage, so could not raise a map by those means. It was like an episode of The Prisoner. Every wrong turning we took, we expected a huge white barrage balloon to head us off.”    –Marcus Berkmann, The Independent, October 9, 2015

Audinate’s DANTE (Digital Audio Network Through Ethernet)

“While Australia-based Audinate’s Dante is one of several competing protocols for communicating multiple audio channels over standard Ethernet and IP networks, it has led the industry in media attention, awards and licensing agreements with an impressive list of partners. With applications in live sound, recording and conferencing, Shure jumped on board in 2012 and joined the ranks of Allen & Heath, Yamaha, and many, many others. Dante represented an opportunity to bring a high performance plug-and-play experience to users of Shure’s ULX-D digital wireless system, SCM820 Automatic Mixer and Microflex Wireless.

“In this post, we’ll address a few of the basics, so that the next time Dante comes up in conversation, you won’t be thinking of the Middle Ages poet who wrote the Divine Comedy [. . .].”   –Gino Sigismondi (Senior Manager, Shure Systems Support), “What You Need To Know About Dante,” shure.com

Contributed by Pete Maiers

Glensound’s Inferno

“Inferno is a commentary system for a single user, or for a large multi commentator system. Connections use network audio cabling, either directly to the GSI-DARK88 break out box, or across a structured network. The Dante audio protocol is used to transport the audio, making the system flexible and programmable as part of a larger Dante system.”   –“Inferno” info sheet, Glensound

Glensound is a UK-based manufacturer specializing in audio hardware for live sound, studio, and broadcast. Besides Inferno, their products include units called Beatrice, Virgil, Styx, and Divine, all of which integrate with Dante-based systems.

DANTE is a digital media networking technology produced by Audinate. The acronym stands for Digital Audio Network Through Ethernet.

Contributed by Pete Maiers

Dante at the Innovation in Music Conference

“The annual Innovation In Music conference in London recently saw Audinate’s Dante help deliver a first of its kind performance, according to audio engineer Dr Paul Ferguson.

“The conference is an international music event that brings together researchers and professionals  shaping the future of the music industry. The event welcomes academics, artists, producers, engineers, music industry professionals, and manufacturers to come together and hear presentations and discussions on a wide range of topics. The most recent conference was held at the University of West London’s Ealing Campus and covered a number of topics including music production, performance and composition, studio technology innovation, and platforms for music sale, streaming and broadcast, to name a few.

[. . .]

“‘Unfortunately, the COVID-19 virus has brought a new perspective to performing, and for gigging musicians, this GPS clock capability potentially allows musicians to safely connect and collaborate over hundreds of miles,’ added Ferguson. ‘What happens when artists want to do their next album or collaborate with others? Until our work lives return to normal, this presents an excellent, next-best-thing-to-being-there option. And even after the ban is lifted, this will be an economical and efficient way to bring creativity together over great distances.'”    –Daniel Gumble, Installation, June 9, 2020

In this case, the reference is to DANTE, the AV networking protocol (Digital Audio Network Through Ethernet). The acronym and the image of the circles (as well as some of the marketing around Audinate’s Dante and related products) play on the name and fame of the poet.

“RTW Adds SMPTE ST 2110 To Dante- And Ravenna-Compatible TouchMonitors”

“The new TM-Dante and TM-Ravenna units are now available with ST 2110 functionality, and existing owners can add this option via a free firmware update.”    —The Broadcast Bridge, May 7, 2020

itWikiCon 2020

https://meta.wikimedia.org/wiki/ItWikiCon/2020 

The R Inferno

“Abstract: If you are using R and you think you’re in hell, this is a map for you.

[. . .]

We arrive at the third Circle, filled with cold, unending rain. Here stands Cerberus barking out of his three throats. Within the Circle were the blasphemous wearing golden, dazzling cloaks that inside were all of lead – weighing them down for all of eternity. This is where Virgil said to me, ‘Remember your science – the more perfect a thing, the more its pain or pleasure.'”    –Patrick Burns, Burns Statistics, April 30, 2011

Learn more about R, the programming language, here.

Learn more about The R Inferno here.

Inferno at San Francisco’s Gray Area Festival

“I’m in the middle of the dance floor. The strobe lights above me are popping in time with the thundering kick drums and violent synth-bass rolling out of the speakers at 110 beats per minute. I’m shuffling to the rhythms, but I’m only able to control the lower half of my body. All of my movements from the waist up are being dictated by an exoskeleton strapped onto my trunk like a jacket.

“My arms jerk up and down and twist from side to side with the beat, but my own muscles aren’t doing the work; my flesh is being pushed around in space by the 45 pounds of metal, cable, and hydraulic cylinders running across my shoulders and down my arms. A robot is making me dance.” [. . .]

“The dance show, titled Inferno, is meant to be an experiential representation of hell, and I suppose it is, just maybe more fun. Inferno has been touring the world for a couple of years, and it made its US premiere in San Francisco this past weekend at the Gray Area Festival.” [. . .]    –Michael Calore, Wired, July 30, 2019.

Read more about Inferno and the Gray Area Festival on Wired.

 

The SEC vs. Cryptocurrency: From Dante to Facebook

“The Securities and Exchange Commission, the multibillion dollar agency that safeguards investors, presently stands on the precipice of the layer Dante reserved for the indecisive. For, nearly a decade after Bitcoin burst onto the scene in 2010, there has been no concrete attempt at delineating purchaser from investor in the cryptocurrency market—indeed, it appears the agency is content to provide guidance regarding fraud and custody rather than defining products and attendant responsibilities for those soliciting funds for digital conversion.

“In the 14th century, Dante Alighieri forever shaped our vision of a retributive afterlife with his Divine Comedy. Tellingly, the first “level of hell” introduced therein was populated by those who could not decide (‘those who lived without occasion for infamy or praise’); to the celebrated Renaissance poet, those habiting the sidelines of history could hope for limbo, at best, in the final judgment.” […]    –J. Scott Colesanti, New York Law Journal, July 31, 2019

The Social Network of Dante’s Inferno

“The first product coming out from this crazy idea was “The Social Network of Dante’s Inferno“, presented in the 2010 edition of the “Arts, Humanities and Complex Networks” symposium of NetSci and then published in a 2011 special issue of the Leonardo journal. In this work we were moved by the question: is a network of characters following some particular predictive patterns? If so: which ones?

“So we took a digital copy of Dante’s Inferno, where all interactions and characters were annotated with extra information (who the character was, if she was a historic or mythological figure, when she lived, …). We then considered each character as a node of the network. We created an edge between two characters if they had at least a direct exchange of words. Normal people would call this “a dialogue”.

“The double-focus point of the Commedia emerges quite naturally, as Dante and Virgilio are the so-called “hubs” of the system. It is a nice textbook example of the rich-get-richer effect, a classic network result. But contrary to what the title of the paper says, we went beyond that. There are not only “social” relationships. Each character is also connected to all the information we have about her. There is another layer, a semantic one, where we have nodes such as “Guelph” or “Middle Ages”. These nodes enable us to browse the Commedia as a network of concepts that Dante wanted to connect in one way or another. One can ask some questions like “are Ghibelline characters preferably connected to historic or mythological characters?” or “what’s the centrality of political characters in the Inferno as opposed to the Purgatorio?” and create one’s own interpretation of the Commedia.” […]    Michele Coscia, Michele Coscia, 12 December, 2013