Dante Today

Citings & Sightings of Dante's Works in Contemporary Culture

Pascale Marthine Tayou, Sisiphe remontant le tarmac (2013)

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“Miserere—In vulgar Latin, it is the first word of Psalm 50: ‘Miserere mei, Deus, secundum magnam misericordiam tuam,’ used in the Catholic liturgy in funeral services, in the rites of Lent and the Holy Week, and generally in the orations of penitence. The penitential psalm is sung in the Comedy by the rows of the dead, in the second terrace of Ante-Purgatory, and the chant, is recited in alternate verses (‘singing the “Miserere” verse by verse’ [Purgatorio, Canto V, 24]), is interrupted by an exclamation of astonishment when the souls realize from his shadow that Dante is alive. In a rather different context, however, the expression ‘Miserere mei’ is cried out by Dante at the appearance of Virgil’s shadow in the forest (Inferno, Canto I, 65).”

Retrieved from The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

For more on the Cameroonian artist Pascale Marthine Tayou, see Wikipedia.

Garane Garane, Il Latte è Buono (2005)

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“Ho studiato nelle scuole della lingua di Dante…Grazie Dea Italia! Sarò finalmente lontano da questi somari, da questi brutti ceffi, selvaggi, che adorano i cammelli…”      –Garane Garane, Il Latte è Buono, 2005

“Gashan’s (the protagonist’s) identification with Dante is central in the novel, which can be seen as an inverted journey from the Heaven of the uncritical enjoyment of Italian culture in Somalia to the Hell of European and American discrimination and Somali Civil War. Garane’s Il Latte è Buono can be defined as a Bildungsroman since the character becomes increasingly aware of the psychological influence of Italian colonialism on his education when he reaches and lives in Italy. To some extent, Dante’s role within his Bildung is once again to serve as a meta-literary guide for the main character, recalling Virgil’s role as Dante’s mentor in the Commedia.”    –Simone Brioni, Lorenzo Mari, Postcolonial Dante: Reading the Commedia in Mogadishu, 2019

Access Il Latte è Buono by Garane Garane here.

Contributed by Simone Brioni (Ph.D., Stony Brook University)

Suzanne Branciforte, “Dante’s March”

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“[. . .] According to most scholars, Dante is referring to Vernaccia delle Cinque Terre from Liguria (sorry, Tuscans from San Gimignano!) Perhaps he became familiar with this wine during his stay in Lunigiana, in the first part of his exile from Florence.

“It is in that very same Lunigiana where Dante lived that Cantine Lvnae di Bosoni created a spectacular red wine in Dante’s honor. Verba Dantis, a blend of two native Ligurian grape varieties, Massaretta and Pollera Nera, is a full-bodied red wine reminding us of Dante’s intense and passionate personality.”   –From “Dante’s March,” Suzanne Branciforte’s Italian Grapevine (March 30, 2021)

Read the full blogpost, which lists a number of wines commissioned to commemorate the 700th anniversary of the sommo poeta‘s death, here.

Contributed by Suzanne Branciforte

“Beauty Awakens the Soul to Act” by Angelica Hopes

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“We visited the house of Dante Alighieri. It’s rebuilt to celebrate the place of Dante Alighieri’s birth and its location is based on old documents reported from 13th century of the houses of the Alighieri family. [. . .]

“On the first floor, documents of the 13th century Florence and the younger days of Dante, his baptism in the Baptistery of Santa Maria del Fiore, his public life, his election in the office of prior of the town and his participation in political/military struggles, there are plastic model of the Battle of Campaldino and interesting weapons of that time.

“Going to the 2nd floor, shows the documents in connection with his painful exile in 1301, year of condemnation. In the 3rd floor, there’s the collection of documents on the fortune of Dante through the centuries, iconography. While sitting inside, admiring the historical artefacts and rich information on the influences of Florentine history to Dante Alighieri’s work, I was speechless and absorbed the moment with gratitude reflecting from my English term paper project in fourth year high school on the Divine Comedy, twenty three years later here I am and I got a copy of La Divina Commedia in its original language.” [. . .]     –Angelica Hopes, Landscapes of a Heart, October 27, 2012.

In the Footsteps of Dante 2018

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“Dr. Alvis has led us with the right blend of overview patterns and delicious historical tidbits as he weaves the narrative of Dante’s Renaissance world through its fragmented political entities, community structures, waves of republican and tyrannical governments, along with the artists and architects that illuminate the countless points of light on this complex palate. At the center of all is the narrative of Dante himself, and both the secular and religious references and implications of his works.”    –Montrose School, In the Footsteps of Dante 2018, June 22, 2018

How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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