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Dante in the British Library: Hell, Purgatory, and Heaven

April 11, 2022 By Harrison Betz, FSU '25

On September 14, 2021, the British Library in London hosted an online event titled “Dante in the British Library: Hell, Purgatory, and Heaven”. The event featured two lectures on Dante about the following:

“Alessandro Scafi – Mapping Paradise in the Middle Ages: Dante and the Garden of Eden

“Christian scholars and map-makers of the late Middle Ages were dedicated to the search for the Garden of Eden, as described in Genesis. Could paradise be found on a map? Dante’s knowledge of geographical lore was deep, rich, and varied, and his Divine Comedy echoes contemporary debates about the location and the mapping of paradise.

“Elisabeth Trischler – Architecture and the Afterlife: How the Urban Spaces of Medieval Florence inspired Dante’s Divine Comedy

“The city of Florence underwent a significant building boom in the 13th and 14th centuries, and this expansion offers a way to explore Dante’s world. This lecture uses illustrations of the Divine Comedy from the British Library’s collection to show how Dante’s masterpiece was shaped by Florence’s urban spaces.” [. . .] —The British Library (retrieved April 11, 2022)

View the event’s listing on the British Library’s website here.

Divinity and damnation — why Dante still matters Article, Financial Times (2021)

March 30, 2022 By Harrison Betz, FSU '25

“‘Onorate l’altissimo poeta!’ — ‘Honour the supreme poet!’ In Dante’s Divine Comedy, these words are said of Virgil, Dante’s guide through Hell and Purgatory. Now, 700 years after Dante’s death on September 14, 1321, it seems more right than ever to apply the words to Dante himself.

“Dante’s reputation has never stood higher. He has been revered by an extraordinary number of the greatest poets and writers of the past hundred years — Eliot, Pound, Joyce, Beckett, Borges, Montale, and the great Armenian poet Yeghishe Charents, to name only a few.” [. . .] –Robert Chandler, Financial Times, September 28, 2021 (retrieved March 30, 2022)

Chandler’s article, published originally in the British newspaper Financial Times, goes on to review three Dante-related books: Dante by Alessandro Barbero, a translation of Purgatorio by D.M. Black, and Visions of Heaven by Martin Kemp. View our posts for each of these by clicking their respective links. The full text of the article is available here.

Dante was wrong. There are in fact 10 circles of hell. Article, IFA Magazine (2022)

March 22, 2022 By Harrison Betz, FSU '25

On March 10, 2022, British-owned IFA Magazine posted an article titled “Dante was wrong. There are in fact 10 circles of hell.” The authors state:

“The tenth is occupied by former Government housing ministers and is named Ineptitude.

“If you’re into psychological self-flagellation, have a read. If you’re not, all you need to know is that, in the final three months of last year, a lot less houses were built than in the preceding quarter and the same quarter of 2020. In short, the housebuilding omnishambles continues apace.” [. . .] —IFA Magazine, March 10, 2022 (retrieved March 22, 2022)

After Hours: Dante – Heaven and Hell at Dante Season 2021

February 14, 2022 By Harrison Betz, FSU '25

On November 13, 2021, the collaborative effort behind Dante in Oxford hosted the “After Hours” event. The event was described as follows:

“An exciting ‘after hours’ programme of activities at the Ashmolean Museum showcasing the diverse range of researchers and performers who are connected to Dante.

“Oxford will be alive with opportunities to celebrate Dante in 2021 — exactly 700 years since the great poet’s death. Best known for his astonishing Divine Comedy — a three-stage epic poem, narrating a journey through the afterlife from Hell through Purgatory to Heaven, with all of human history, knowledge, love, and life encountered on the way — Dante was an advisor to princes, a political exile, and a revolutionary poet.” —TORCH (retrieved February 13, 2022)

One of the “performers” at this event was a robotic poet named Ai-da; view our post about her poetry here.

More information about the “After Hours” event and its programming (which included live performances and other exhibits) can be found here.

Other Dante in Oxford posts can be found here.

Dante and Dance at Dante Season 2021

February 14, 2022 By Harrison Betz, FSU '25

On November 4, 2021, the collaborative effort behind Dante in Oxford hosted the “Dante and Dance” event. The performance was described as follows:

“Luc Petton, choreographer, will present a screening of Ainsi la Nuit, his extraordinary ballet for human dancers, birds, and animals inspired by Dante’s Divine Comedy. Luc Petton will also be in conversation with members of the audience. The event is programmed in conjunction with the display ‘The Divine Comedy from Manuscript to Manga’ which is open to the public in an adjacent space of the Bodleian’s Weston Library. The film screening will be followed by a response from Professor Sue Jones and a Q&A.” —TORCH (retrieved February 13, 2022)

More information about “Dante and Dance” and its programming can be found here.

Other Dante in Oxford posts can be found here.

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