The SEC vs. Cryptocurrency: From Dante to Facebook

“The Securities and Exchange Commission, the multibillion dollar agency that safeguards investors, presently stands on the precipice of the layer Dante reserved for the indecisive. For, nearly a decade after Bitcoin burst onto the scene in 2010, there has been no concrete attempt at delineating purchaser from investor in the cryptocurrency market—indeed, it appears the agency is content to provide guidance regarding fraud and custody rather than defining products and attendant responsibilities for those soliciting funds for digital conversion.

“In the 14th century, Dante Alighieri forever shaped our vision of a retributive afterlife with his Divine Comedy. Tellingly, the first “level of hell” introduced therein was populated by those who could not decide (‘those who lived without occasion for infamy or praise’); to the celebrated Renaissance poet, those habiting the sidelines of history could hope for limbo, at best, in the final judgment.” […]    –J. Scott Colesanti, New York Law Journal, July 31, 2019

The 9 Circles of Beaumont Hell – and Who You’ll Meet There

“The Italian poet Dante Alighieri was kind of a twisted dude. His 14th-century opus, the Divine Comedy, led readers into the depths of a nine-layer hell filled with flaming tombs, rivers of boiling blood and giant worm-monsters. He spent plenty of time in the Inferno, the first part of the Divine Comedy, outlining all the sins that can get you a one-way ticket to Satan’s inner circle. But by 2014, a lot of those sins feel pretty out-of-date — we stopped burning heretics at the stake a while back, and I’m not even sure that simony is still a thing.

“With Dante’s colorful imagery in mind, I updated and localized his nine circles of hell as a reminder to Southeast Texans that if you’re not going to be polite because it’s the right thing to do, at least be polite to avoid retribution in the afterlife.” […]    –Beth Rankin, Beaumont Enterprise, December 6, 2014

World’s Best Bar 2019: New York’s “Dante” Wins Top Spot

“New York’s Dante reached cocktail paradise tonight when it was named World’s Best Bar at the 2019 Spirited Awards in New Orleans during this year’s Tales of the Cocktail. The bar, which opened in 2015 in what was once a famous Greenwich Village coffee house, Caffe Dante, was also named Best American Restaurant Bar for the second time in three years (which, under the rules of the Spirited Awards, means it is now retired from the the category). Among the American bars, Dante beat out local competitor Gramercy Tavern, Houston’s Better Luck Tomorrow, and Louisville’s Silver Dollar.

“The awards ceremony was introduced by Emmy and Tony Award-winning actor Bryan Cranston, who just launched a mezcal called Dos Hombres with his Breaking Bad costar Aaron Paul. ‘People suggested we call it Methcal,’ Cranston joked in his welcoming remarks. Earlier in the week, the two actors were slinging drinks at New Orleans’ iconic Napoleon House and Cranston, who admitted how much more respect he now has for bartenders, confessed that he endured two non-lethal injuries during his three-hour shift—cuts on his hands from the cocktail shakers.” […]    –Karla Alindahao, Forbes, July 20, 2019

3 Displaced by Dante House Fire

“Three people are without a home after a Sunday morning house fire in Dante, according to emergency officials.

“Russell County EMA Director Jess Powers says firefighters responded to a home on Upper Bear Wallow Road around 10:47 a.m. The fire was called in by a neighbor, he says.

“According to Powers, three people live in the home but were not there at the time of the fire.

“The Red Cross has been called in to assist the victims.

“As of 1 p.m., first responders were still on scene.

“The cause of the fire is unknown at this time.” […]    –Slater Teague, News Channel 11, November 11, 2018

Dante’s Treachery: Bass Library

“If you are ever wondering what the absolute bottom of hell is like, step no farther than (B)ass Library. This tri-level torture chamber has everything: sleep-deprived students, crying teens, those who have brought their entire desktop computers just to play Fortnite, some old people, the occasional free doughnut and self-centered students taking up an entire four-person table. Don’t pretend you’re not a little curious about all the sad, eye-bagged Yalies who look like they’d rather be literally set on fire than trudging down those steps into the dark abyss. Behold: a multilayer, cubicle-filled hell of self-inflicted punishment and internal damnation that you’re doomed to revisit even after you swear it’s too “scene-y” during your first semester of the year. Welcome to Bass.

“When you walk into the library, you’ll first find yourself in Bass Cafe. Consider this your purgatory. Here, you’ll find round tables with obnoxious clubs trying to harass you as you’re on your way to study and people sitting there solely looking to be seen “studying” with just a laptop out — they’re probably watching Netflix or copying down the most recent economics problem set. Once you enter the library, you’ll see the first layer of this hell. This level feels slightly less terrible than the other pits because it has the suggestion of sunlight. But don’t be fooled; before you hit the steps down into the lower levels, look to your right and you will see roughly six to 14 people completely knocked out in uncomfortable chairs, each in pretzel-like positions having tried but given up on ever making it back outside.” […]    –Lindsay Jost, Yale Daily News, October 25, 2018

Tina Turner: By the Book

“What books do you find yourself returning to again and again?

‘In 2017, my kidneys were failing and I went through a prolonged period of dialysis. Every time I went to the clinic, I brought the same three books with me: The Book of Secrets, by Deepak Chopra, The Divine Comedy, by Dante, and a book of photography by the extraordinary Horst P. Horst. I needed something for the spirit, something for the intellect and something for the senses, and the ritual of studying the same books while I was undergoing treatment was comforting to me because it imposed order on a situation I couldn’t otherwise control.’

“You’re hosting a literary dinner party. Which three writers are invited?

‘I like a dinner party to be a lively mixture of different kinds of people — young, old and everything in between. So my first choice would be Dante — after all my years of studying The Divine Comedy, I need to ask him a lot of questions! I could be his Beatrice! Since I can’t choose between Anne Rice and Stephen King, I’d set places for both of them. Their books have kept me awake for many a night because there’s nothing I enjoy more than a good scare! And I’d definitely serve Thai food, because I like things spicy.’ ” […]    –Jillian Tamaki, The New York Times, October 18, 2018

Review: Macbeth and the Bard’s Hellward Braid

“In Macbeth, there are no subplots. It’s ironic that one of Shakespeare’s most well-known plays is absent The Bard’s hallmark illicit trysts and bumbling, disaster-prone duos, but it makes up for it with one of the most lurid explorations of evil, perhaps anywhere.

“Charlie Fee, who directs the Idaho Shakespeare Festival’s production of Macbeth in addition to serving as the company’s producing artistic director, has this on lockdown. So does his Lady Macbeth, played by Erin Partin, who, at the June 5 performance, was a pitch-perfect moral foil to the rather tepid better angels of her husband, played by Lynn Robert Berg.

“Macbeth, for the uninitiated, is the story of how its titular character saves Scotland from invaders, succumbs to avarice with the encouragement of his wife and becomes a murderous, paranoid tyrant. In its first half, the Macbeths talk themselves into committing regicide so Macbeth can become king. In the second, the couple starts to crack under the psychological and political consequences of their actions, fighting to hang on to power—literally for dear life.

“Like Dante’s Inferno, the play hinges on inversions. Power is vulnerability and wickedness is a virtue. The best arguments favor active villainy and pummel passive righteousness. Macbeth the king, a father to his country, kills its sons out of wild-eyed paranoia; and his wife, well, this line says it all: ‘Come, you spirits that assist murderous thoughts … to my female breast and turn my mother’s milk into poisonous acid.’ Partin throws herself into her role as Macbeth’s provocateur, intertwining with him in a hellward braid, and wherever she is on the stage is where audiences can look for the fire.” […]    –Harrison Berry, Boise Weekly, June 13, 2018

Reading Dante as a Feminist

“Classical literature has numerous inherent values and should still be extensively read by today’s readers. Still, despite my love for Dante, I would argue that it also essential to read classical literature with a critical eye, especially as our concepts of human rights and equality have greatly transformed since these works were written.

“Metamorphosis is traditionally typically about erotic, passionate love. Eros, this type of sinful love, is a subject that Dante explores extensively in the Divine Comedy. Dante studied Ovid extensively and engages with Ovid’s works in La Commedia. In his epic poem, Dante challenges Ovid and transfigures this process of transformation — often shaping metamorphoses into a perverted punishment of sin. Dante explicitly uses metamorphosis as a cruel, twisted form of punishment. Thieves transform into snakes and those who committed suicide are perversely turned into bushes and trees. Further parallels to Ovid can be drawn in Dante’s hell. Daphne was rendered a tree for all eternity — just as those in the circle of suicide were cruelly revoked from their human form.

“In the Inferno, the circle of Lust is predominantly full of women, including Cleopatra, Dido, Helen of Troy and Francesca. Though Dante engages with a few famous male literary characters — such as Paris and Achilles — in this circle, Francesca gives the longest soliloquy. Francesca is one of the few women in La Commedia to be given so many lines, and yet her identity and actions are tied to two male figures. Francesca was killed by her husband when he caught her having an affair with her brother. Dante portrays Francesca as a beautiful, gentle seductress–even the poet temporarily succumbs to her enchanting words. Although Francesca’s story provides interesting commentary on the constraints of love and society, it is unfortunate that Francesca is one of the only dominant female voices in the Inferno. Dante’s work would be more nuanced if he developed other female characters whose roles were not tied to lust and sexual temptation. ” […]    –Sophie Stuber, The Stanford Daily, June 4, 2018

 

‘Dante’s Inferno isn’t hot enough for you,’ says judge

“STATEN ISLAND, N.Y. — Earlier this month, Anthony Morales admitted to slaying a neighbor and her son on a Mariners Harbor street two years ago.

“But the stocky 51-year-old defendant didn’t apologize for their deaths at his sentencing on Wednesday. Instead, Morales presented himself as the victim, claiming the decedents had harassed and tormented ceaselessly over the years, had followed him to a home he owned in Pennsylvania and had ‘come looking for’ him on the day they died.

“State Supreme Court Justice Mario F. Mattei listened patiently to Morales’ rambling seven-minute monologue in his St. George courtroom packed with the victims’ distraught relatives. And when Morales finally sat down, the judge didn’t mince words or hide his disdain.” […]    –Frank Donnelly, SiLive, May 30, 2018

BenDeLaCreme’s Rising Up Into Dante’s Inferno Down Below

“I must confess, and not in a catholic kind of way, because that kind of on your knees religion has nothing to do with the uproarious show, BenDeLaCreme’s Inferno-a-Go-Go currently damning us all to hell at the Laurie Beechman Theatre in Hell’s Kitchen, naturally. But it does have a lot of a lot to say about the other kind of on-your-knees kinda praying. My confession revolves around the simple fact that I do not watch RuPaul’s Drag Race, nor have I ever heard of one of the most well known contestants, the heavenly smart and witty BenDeLaCreme, the creator/performer/writer and all around mastermind of the show.  I only came to this show because one of my best friends was sitting next to me when I got the press invite, and he squealed like an excited pig when I asked him if I ever heard of a creature called BenDeLaCreme. (I can write this statement, because I’m pretty darn sure he’ll never read this review as there are just far too many words for his liking.)” […] –Ross, Times Square Chronicles, May 25, 2018