“As people move up the income ladder, they escape material shortages and consume more. They have ‘things’—goods, houses, and, most importantly, education—to show for their higher earnings, but they do not have healthy finances. Having those ‘things’ is of course an improvement over not having them, but only for the very, very rich (or the very, very unusual) is there any real escape from the pressure-cooker of American household finances.” — Rebecca J. Rosen, “The Circles of American Financial Hell,” The Atlantic (May 5, 2016)
Louise Glück, “From a Journal” (2001)
“From a Journal”
I had a lover once,
I had a lover twice,
easily three times I loved.
And in between
my heart reconstructed itself perfectly
like a worm.
And my dreams also reconstructed themselves.
After a time, I realized I was living
a completely idiotic life.
Idiotic, wasted—
And sometime later, you and I
began to correspond, inventing
an entirely new form.
Deep intimacy over great distance!
Keats to Fanny Brawne, Dante to Beatrice—
[. . .]
“From a Journal” is from Louise Glück’s 2001 collection The Seven Ages. It was published by HarperCollins.
Contributed by Jessica Beasley (Florida State University, 2018)
Tasha Mack, Angel & Dante: A Dopeboy Love Story (2017)
While the connection to Dante Alighieri isn’t explicit, the pairing of the two protagonists in the novel, Angel and Dante, has a “heaven and hell” resonance to it. Here is the synopsis of the novel, from Amazon.com: “The young, intelligent, & beautiful Angel Harris swore off men after a traumatic experience left her wanting to end her life. She found love in the arms of her new partner, Courtney. Things in the relationship were peaches & cream until Angel crossed paths with Dante Johnson.
“Dante Johnson, better known to the streets as Duke, was one of Atlanta’s most notorious kingpins. Duke was used to having women flock to him and be at his beck and call, until he met Angel. Angel was like a breath of fresh air to him with her charismatic personality and she helped him go escape the drugs, crimes, & promiscuous women in the Atlanta streets. Dante proved that he would do anything to make Angel his, even flaunt her around town with his fiancé Arianne at home.
“Arianne Thomas thinks that she has found her meal ticket out of the hood after she pops up pregnant with Dante’s baby. She is on cloud nine, until she finds out about Dante’s new love interest. Arianne will stop at nothing to protect what she feels is rightfully hers.” — Amazon.com
“Atlanta Podcasters Go To Hell With ‘The Divined Comedy’”
“‘The Divined Comedy’ is a podcast which is devoted to talking about Dante Alighieri’s Inferno one canto at a time, taking plenty of detours into pop culture along the way.
“Hosts Paul Cantrell and David Fountain began ‘midway in their life’s journey’ in July and plan on covering the entirety of Alighieri’s fantasy about traveling through the nine levels of Hell before moving on to Purgatorio and finally Paradiso. That’s one hundred cantos in all.
“Billing themselves as ‘The Only Dante Podcast You’ll Ever Need, Ostensibly,’ Cantrell plays the role of a sort of cheerleader for Dante, encouraging Fountain through his first reading of the book.
“‘For a poem that is seven hundred years old,’ Fountain said, ‘you can find a remarkable amount of modern lessons in it, and it withstands a lot of poking and prodding.'” [. . .] –Myke Johns, WABE, August 17, 2016.
You can listen to The Divined Comedy on Podomatic.
You can check out Dante Today’s post on The Divined Comedy here.
Wallace Zane, Taxi Inferno (2014)
“
A death and violence, deceit and fraud, cab-driving, police-chasing translation of Dante’s Inferno.
“Set in the hellish world of cab-driving in Los Angeles in the year 2000, Taxi Inferno is an idiomatic interpretation/translation and transposition of Inferno. In place of Dante walking through hell with Virgil as the guide, the author is driving a cab in LA with Charles Bukowski. The narrative is shot through with the feel of dim and smoky death and the thrall of disgust that impels one on, as is Dante’s.
“Taxi Inferno is written as a mirror image of Inferno. Virgil becomes less competent the deeper into hell they go; Bukowski becomes more so, and even heroic in his guidance. Each location in Los Angeles compares with one of the circles of hell, corresponding to Dante’s description of the terrain and its punishments.” —Amazon.com
Contributed by Wallace Zane
