“This last novel by Uruguayan writer and defense attorney Martínez Moreno, who died in exile in 1986, depicts the revolt of Uruguay’s Tupamaro urban guerillas and their suppression by the military in the early 1970s. Using true accounts of kidnapping, torture and murder from political detainees whom he defended while living in Uruguay, Martínez Moreno fashions a dreamlike yet brutally realistic story of a police state. His book borrows chiefly from The Inferno in Dante’s Divine Comedy. In this modern-day hell, wealthy Uruguayan bankers and prosecutors are kidnapped by the Tupamaros; army colonels and police officers learn more effective ways to torture political prisoners from the ‘cold, calculating’ North American ‘adviser.'”   —Publishers Weekly, 1988

For more on the novel and its relationship to Dante’s poem, see Efraín Kristal’s “What Is, Is Not: Dante in Tomas Eloy Martínez’s Purgatorio,” Bulletin of Latin American Research 31.4 (2012): 473-484 (accessible here).