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Citings & Sightings of Dante's Works in Contemporary Culture

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Jems Robert Koko Bi, Convoi Royal (2009)

April 29, 2022 By Sephora Affa, FSU '24

sculpture-heads-in-charon-boat

“Dante’s journey paints a fine portrait of the world I was living in when Convoi Royal was created. This time, the world is a lot like reality. A world running a merciless race, steered by wild beasts devouring everything in their way. The huge hooves hammer the ground, chipping it away to form an infernal whirlpool. The earth trembles with each thud, tilts, and is thrown off balance. A terrible panic strikes its inhabitants. They raise their arms to shield their heads, run around in a crazed fray, seeking temporary shelter. In the beginning, these wild animals were normal beings whose duty was to ensure a better future for the world, but their stomachs were too empty and their prey too easy for this duty to be respected. They decided to satisfy their ego instead, rather than work for the well-being of their numerous fellow beings who were famished and dying. The unknown paradise started its royal convoy. Backed up against the wall, I resign myself to a constraint, deadly as it may be: to leave.” –Jems Robert Koko Bi

Retrieved from The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

For more information on the Ivorian artist, see Wikipedia. For more information on Convoi Royal, visit the link here.

Categories: Visual Art & Architecture
Tagged with: 2009, Africa, Art, Art Books, Charon, Inferno, Ivory Coast, Journeys, Sculptures, Visual Arts

Kader Attia, Dispossesion (2013)

April 29, 2022 By Sephora Affa, FSU '24

kader-attia-projections-on-dark-wall-pope-next-to-artifact

“Soul—the term occurs often, meant in a rigorously philosophical sense as a ‘vital principle’ or ‘bodily entelechy.’ Just like all the medieval masters, Dante sees in man a being made up of both body and soul. As regards the relationship between the two components, Dante sticks to the Aristotolean solutions, adopted unanimously by the theologians of the day. Hence, the soul may be conceived and represented as separate from the body, in its definitive condition of a dweller in the kingdoms of the afterlife. In this sense, the term is used countless times to refer to the shadows of the dead in their concrete individuality: ‘O spirit courteous of Mantua’ (Inferno, Canto II, 58); ‘But all those souls who weary were and naked,/Their colour changed’ (Inferno, Canto III, 100).”

Retrieved from The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

For more on the French-Algerian artist Kader Attia, see Wikipedia.

Categories: Visual Art & Architecture
Tagged with: 2013, Africa, Algeria, Art Books, Canto 3, France, Inferno, Visual Arts

Dominique Zinkpè, multimedia drawings (2013)

April 28, 2022 By Sephora Affa, FSU '24

ink-watercolor-body-falling-out-of-open-body

“The ideas behind the Divine Comedy have brought the artist to reflect upon a millenary question: what is the soul? This question entails an inquiry about uncertainty and wandering. The artist uses the medium of installation to create a unique world, made up of thousands of tiny figurines suspended as if they were souls waiting for a visa to enter another world or destination. Positioned on the ground, these retrospective objects are installed in such a way as to suggest their interrelation, their secret bond, as if they were suspended souls. The idea behind Errance is to create an emotion, a feeling of anticipation and reflection with the public. The twelve thousand colored figurines are suspended from the ceiling and are reflected in the thousands of mirrors placed on the floor, referring- also thanks to a soundtrack- to the infinity of the universe, the tackling lights and moving elements that are unknown to us but which we admire and dream about even though we do not know where they come from.”

Retrieved from The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

Learn more about the artist Dominique Zinkpè (b. 1969, Cotonou, Benin) on Wikipedia.

Categories: Visual Art & Architecture
Tagged with: Africa, Benin, Contemporary Poetry, Cotonou, Drawings, Mirrors, Multimedia, Reflections, Series, Visual Arts, Watercolors

Nell Gifford, By the Love that Moves the Sun and Other Stars (2019)

January 6, 2022 By Sephora Affa, FSU '24

nell-gifford-acrylic-ink-on-paper-art

Nell Gifford, By the Love that Moves the Sun and Other Stars, acrylic ink on paper.

More information about the sale of this piece here.

Categories: Visual Art & Architecture
Tagged with: 2019, Art, Canto 33, Horses, Love that Moves the Sun and Other Stars, Paradiso, Visual Arts

That’s Life Comic by Mike Twohy (2003)

November 28, 2021 By Hannah Raisner, FSU '25

creenshot-of-mike-twohy-comic

In Mike Twohy’s 2003 comic That’s Life Virgil shows Dante a part of Hell where the damned must push “carts with stuck wheels” for eternity.

View the comic here.

Categories: Visual Art & Architecture, Written Word
Tagged with: Comics, Hell, Visual Arts

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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