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Citings & Sightings of Dante's Works in Contemporary Culture

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Ndary Lo, The Day After (2012)

April 21, 2022 By Sephora Affa, FSU '24

star-shaped-configuration-of-people-with-arms-spread-out-black-on-white-background

“I see the world we are living in as both Hell and Purgatory. Our only hope in this life of ours, all that we have left is to try our best to be admitted to heaven someday. The Day After is an installation in which, after walking a long way through a dense and dark forest, one reaches that space where everything seems to be suspended, where one can feel this particular tension that we experience before embarking on a journey of which we don’t really know the name. The place is organized in a materialized circle and inhabited by iron characters which are ready to take off. The circle, in fact a spiral, symbolizes the energy of human beings, who find themselves in a new configuration, and they feel disoriented and experience a feeling of unreality.”

From The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

Read more about Senegalese sculptor Ndary Lô, see Wikipedia.fr.

Categories: Visual Art & Architecture
Tagged with: Africa, Art, Art Books, Circles, Dark Wood, Energy, Heaven, Hell, Installation Art, Iron, Journeys, Metal, Purgatory, Sculptures, Senegal

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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