“Ovid describes the Minotaur as ‘part man, part bull,’ half cattle-shaggy, half smooth. Surely this creature deserves a brief campaign bio here: You might remember how, when King Minos’ wife fell hard for a gigantic white bull, their calf-child arrived lactose-intolerant, hungry only for human flesh. (I am not making this up, either.) A subterranean maze gets constructed as Minotaur’s cradle and prison. Dante later defamed the creature’s violence with a walk-on role in the Inferno. And only one century ago, Pablo Picasso — boy-wizard at drawing animals and humans — found the Minotaur allowed both virtuosities concurrently. The horny, weak-eyed he-male beast became his spirit animal.” — Allan Gurganus, “A Minotaur’s in Maintenance in a Tale of Rust Belt America,” Review of The Minotaur Takes His Own Sweet Time by Steven Sherrill, The New York Times, Sept. 30, 2016
