“Seeing the angel wings on Marianne’s bare back, the burn victim starts to melt. He also likes Marianne’s captivating conversational style. (‘For now, may I tell you a story about a dragon?’) He wonders if, how and why she is crazy. He finds a reassuring internal consistency to the string of lovelorn fairy tales she tells him, and to the 14th-century biography she claims is her own. He finds it fitting that she wants to take a badly burned man on a guided tour of Dante’s circles of hell. . . Although The Gargoyle is defiantly uncategorizable, Doubleday is hard at work taming it. (Suggested question for book club group discussions: ‘What sort of tailor-made suffering might Dante have invented for you?’).” –Janet Maslin, The New York Times, July 31, 2008
Citings & Sightings of Dante's Works in Contemporary Culture
How to Cite
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.
