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Guy Raffa, “Dante and Don”

December 8, 2015 By Professor Elizabeth Coggeshall

In celebration of the poet’s 750th birthday, Guy Raffa (University of Texas, Austin) published an essay in the magazine Pop Matters, comparing Dante with fellow Gemini Don Draper:

Pop-Matters-Dante-Don-Draper-Word-Made-Cash

“Matthew Weiner’s brilliant decision to end the series with, in his words, the ‘greatest commercial ever made‘, meshes beautifully — ‘in perfect harmony’ — with the ending of what many believe to be the greatest poem ever written. The culmination of Dante’s journey through the afterlife is his vision of God. He sees the mystery of the Incarnation, the paradoxical union of complete human and divine natures, the Word made flesh. Don’s Moment of Zen produces an equally paradoxical revelation: the marriage of commerce and community achieved by the famous 1971 TV ad. The Word made cash.

“The comparison appears less strange when we consider that Dante himself has become both a product and an ad man. He has become a hot commodity not just for the spiritually, intellectually, or literarily inclined, and not only in Italy, where Roberto Benigni has electrified audiences — in the piazza and on TV — over the past decade with his TuttoDante performances, brought to North America in 2009.” —- Guy Raffa, “Dante and Don: The Word Made Flesh and the Word Made Cash,” Pop Matters

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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