“Robert Cohen’s Amateur Barbarians raises the question of whether the novel of male midlife crisis is suffering a midlife crisis of its own. . .
If we exempt from consideration the Dante of The Divine Comedy, who finds himself lost in dark woods and shortly thereafter enters the Inferno (this remains preferable to joining a men’s group), writers have been making narratives of midlife crisis since the ’60s, when an increasing level of economic prosperity and a loosening level of morality freed men to stare rapturously into their navels.” [. . .] –Will Blythe, The New York Times, July 16, 2009
posted on July 19, 2009 by
