{"id":101,"date":"2014-02-09T21:28:55","date_gmt":"2014-02-09T21:28:55","guid":{"rendered":"https:\/\/researchbdev.wpengine.com\/surrealist-photography\/?p=101"},"modified":"2014-03-27T21:45:34","modified_gmt":"2014-03-27T21:45:34","slug":"eugene-atget-cour-28-rue-bonaparte-paris-1910","status":"publish","type":"post","link":"https:\/\/research.bowdoin.edu\/surrealist-photography\/2014\/02\/09\/eugene-atget-cour-28-rue-bonaparte-paris-1910\/","title":{"rendered":"Eug\u00e8ne Atget, <i>Cour, 28 Rue Bonaparte, Paris<\/i>, 1910"},"content":{"rendered":"<p>by Andrea Rosen, Curator of\u00a0<em>Under\u00a0the Surface.<\/em><\/p>\n<p>The ability of Eug\u00e8ne Atget\u2019s images of streets, shop windows, and parks to seem at once straightforward and uncanny was admired by the surrealists. Atget spent his thirty-year career documenting Old Paris, taking thousands of photographs that he primarily sold to libraries and archives. In the 1920s Man Ray elevated the aging Atget from obscurity by selecting four of his photographs to be published in the journal\u00a0<i>La R\u00e9volution Surr\u00e9aliste<\/i>. Many younger photographers were inspired to adopt his aesthetic of eerie emptiness in their depictions of urban streets.<\/p>\n<h6>Image details:<\/h6>\n<h6>Eug\u00e8ne Atget (French, 1857\u20131927)<br \/>\n<i>Cour, 28 Rue Bonaparte, Paris<\/i>, 1910<br \/>\ngelatin silver print<br \/>\nMuseum Purchase\u00a0 1986.52<\/h6>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Andrea Rosen, Curator of\u00a0Under\u00a0the Surface. The ability of Eug\u00e8ne Atget\u2019s images of streets, shop windows, and parks to seem at once straightforward and uncanny was admired by the surrealists. Atget spent his thirty-year career documenting Old Paris, taking thousands of photographs that he primarily sold to libraries and archives. In the 1920s Man Ray [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":46,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[11,8],"tags":[25],"class_list":{"0":"post-101","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-curatorial-label","8":"category-street","9":"tag-eugene-atget","10":"entry"},"_links":{"self":[{"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/posts\/101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/comments?post=101"}],"version-history":[{"count":0,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/posts\/101\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/media\/46"}],"wp:attachment":[{"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/media?parent=101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/categories?post=101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/tags?post=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}