{"id":105,"date":"2014-02-12T21:28:19","date_gmt":"2014-02-12T21:28:19","guid":{"rendered":"https:\/\/researchbdev.wpengine.com\/surrealist-photography\/?p=105"},"modified":"2014-03-27T21:44:53","modified_gmt":"2014-03-27T21:44:53","slug":"andre-kertesz-meudon-1928","status":"publish","type":"post","link":"https:\/\/research.bowdoin.edu\/surrealist-photography\/2014\/02\/12\/andre-kertesz-meudon-1928\/","title":{"rendered":"Andr\u00e9 Kert\u00e9sz, <i>Meudon<\/i>, 1928"},"content":{"rendered":"<p>by Andrea Rosen, Curator of\u00a0<em>Under the Surface.<\/em><\/p>\n<p>In <i>Meudon, <\/i>the dissimilarity between the viaduct, the construction at its base, and the dilapidated rowhouses is as unsettling as the man furtively walking towards the viewer with a large package under his arm. Visually tying it all together is the train steaming overhead into the scene. To capture this fleeting image, Kert\u00e9sz relied on his new Leica, a portable camera that allowed him to act quickly when he encountered marvelous tableaus as he wandered the streets.\u00a0<b><\/b><\/p>\n<h6>Image details:<\/h6>\n<h6>Andr\u00e9 Kert\u00e9sz (Hungarian, 1894\u20131985)<br \/>\n<i>Meudon<\/i>, 1928<br \/>\ngelatin silver print<br \/>\nMuseum\u00a0Purchase, Lloyd O. and Marjorie Strong Coulter Fund\u00a0 1984.1<br \/>\n\u00a9 Estate of Andr\u00e9 Kert\u00e9sz, courtesy of Bruce Silverstein Gallery, NY<\/h6>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Andrea Rosen, Curator of\u00a0Under the Surface. In Meudon, the dissimilarity between the viaduct, the construction at its base, and the dilapidated rowhouses is as unsettling as the man furtively walking towards the viewer with a large package under his arm. Visually tying it all together is the train steaming overhead into the scene. To [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":65,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[11,8],"tags":[23],"class_list":{"0":"post-105","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-curatorial-label","8":"category-street","9":"tag-andre-kertesz","10":"entry"},"_links":{"self":[{"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/posts\/105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/comments?post=105"}],"version-history":[{"count":0,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/posts\/105\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/media\/65"}],"wp:attachment":[{"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/media?parent=105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/categories?post=105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/research.bowdoin.edu\/surrealist-photography\/wp-json\/wp\/v2\/tags?post=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}