Under the Surface: Surrealist Photography

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Henri Cartier-Bresson, Brussels, 1932

Posted on February 16, 2014 //

by Andrea Rosen, Curator of Under the Surface. Intrigue in a photograph can be created by alluding to a space or object that is hidden from the viewer. In Henri Cartier-Bresson’s Brussels, 1932, a rough-spun cloth blocks the sight of some unknown spectacle. One man has found a gap to peek through, but the other furtively […]

Filed Under: By Curator, The Street // Tagged: Henri Cartier-Bresson

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André Kertész Erwin Blumenfeld Eugène Atget Frederick Sommer George Platt Lynes Grete Stern Henri Cartier-Bresson Man Ray Manuel Álvarez Bravo multiple exposure photomontage technical manipulation

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